2012年的(🍜)叙利亚迎(🎿)来了史上最(❓)严酷寒冬(⏮)，桑(🤲)娜只希望找个煤气罐(🦅)为儿子做一(📛)顿晚餐。她(🈺)为(wéi )了搜寻(💫)(xún )煤气罐(guà(🦑)n )请了一(yī )天(🅰)假，突然发(👜)(fā(😜) )现自己(jǐ(🐙) )陷入了(le )战乱(📨)区(qū )；她发(🤥)(fā )现，战(zhàn )争(zhēng )中的(de )人(❇)(rén )们都(dōu )没(🚿)(méi )有了(le )影(📦)(yǐng )子。本(běn )片(🐤)获(huò )第(dì )75届(⛸)威(wēi )尼斯电(⛽)(diàn )影节银(🎹)(yín )狮奖。
SAM哥飾(🍝)型格幹探重(🍻)案組梁SIR 調查(🔣)案件，可能是一隻變種(🥃)兇獸攻擊人(👋)類，他要消(📟)滅(🤬)兇獸，拯救世界
巴勒斯(🌖)坦電視台攝(⛪)製臥底肥(🥈)皂劇，連以色(🚳)列婦孺都晚(🎑)晚追看(kàn )。編(➕)劇(jù )因情(✴)節(💫)(jiē )背離革(👘)(gé )命而辭(cí(🎴) )職，監(jiān )製(🖱)的(🥈)多(duō )口侄仔(zǎi )助理受(🚓)(shòu )命執筆(bǐ(⬇) )，頻頻(pín )借(〰)女角(jiǎo )之(zhī(♓) )口，向(xiàng )電視(✌)(shì )機(jī )前的(📹)(de )舊(jiù )愛示(🤶)(shì )好(hǎo )，以(yǐ(💞) )色列檢(jiǎn )查(🤘)站軍(jun1 )官則企(🕶)圖恃權影響劇情發展(🆗)，以便在追看(💖)的嬌妻面(🐏)前自吹自擂。助理即使槍(🧜)抵腦殼，都不(🔪)肯接受軍(🚏)官要求的大(🛩)團圓結局。抗(🕐)爭，必須繼續(🥐)！影展新秀蘇(🔥)亞比巧(qiǎ(👳)o )妙調侃(kǎn )以(👠)巴關(guān )係(⏳)，他(🧑)(tā )的喜劇(jù )座右銘(mí(📱)ng )是：要(yào )能(🙊)大笑(xiào )，必(🐲)須(xū )面對苦(🔪)(kǔ )痛，並(bìng )與(✡)之周(zhōu )旋(xuá(🏏)n )。獲(huò )威(wē(🍌)i )尼斯(sī )地(dì(😱) )平線(xiàn )單(dā(😤)n )元最(zuì )佳(jiā(🔚) )男主(zhǔ )角(jiǎo )獎。
Dave Stimple, an unfocused mattress store owner, is having issues connecting with everyone around him. He arrives at the shop one morning to find the local health and safety people have shut him down. Bugs, huge bed bugs and lots of complaints are cited as the reason. Dave is really confused and his relationships with his wife, friends, and his own humanity seem to be devolving and increasingly distracting anomalies begin to take over his reality. But his issues may not be as internal as they seem.
都说男(🔙)(nán )人一有钱(🐆)就变坏，女(📿)人一变坏就有钱，这句话(🐇)用在张宝文(🐔)和他的秘(👭)书身上绝对(💉)合适。张宝文(🧓)原本有一个(💔)非常好的前(♋)程和家庭(🍮)，但是他却不(🏼)珍惜，与自(🚤)己(📇)的秘书(shū )走到了(le )一起(🛩)。这一段(duàn )办(📝)公室(shì )的(🤵)恋情(qíng )导致(💔)了(le )张宝文(wé(🤳)n )在事业(yè )上(🥤)和家(jiā )庭(⛎)上彻(chè )底破(🌔)碎(suì )。秘书(shū(🏠) )的(de )贪婪(lán )最(⭕)(zuì )终落(luò )到(dào )过街(jiē(🔓) )老(lǎo )鼠人(ré(💸)n )人(rén )喊打(🦈)(dǎ )的地步(bù )。当张宝文重(⚓)新回归家庭(😦)的时候，一(📕)个熟悉的面(🍣)孔站在了门(📥)口挡住了他(😕)的视线。
When a quick-witted but co-dependent college girl helps her best friend land a boyfriend, she's left on the outside looking in and is forced to deal with the realities of adulthood for the first time.
UNDERNEATH is a collaborative piece featuring four emerging directors, creating five distinctly different cinematic pieces all bound together by common themes of madness and ancient cruelty - think V/H/S meets CREEPSHOW with a supernatural flare.
During the slavery period in Brazil, a sugar cane farm was the stage for the darkest kinds of horrors. Years later, the place's cruel past is still stained in its walls, even if unnoticed, until a series of strange events starts happening and death returns to the farm. The film is divided in five short horror stories.
Tommy DiNello, a freelance videographer, moves back to North Branford Ct. from New York City after two years on his own. His extremely close cousins, Marie and Dom Jr., are reluctantly accepting their father's new young foreign wife Varya, just two years after their mother's death. Since Tommy's parents moved to Florida when he was away, he has no choice but to stay with his Uncle Dominic and cousin Marie while battling memories of the reason he left town in the first place. His dear friend, Angela and him are reunited, This is bittersweet as she is the only one with clear knowledge and witness of his past.
Jay Tanner and his crew have been getting rich off of faking demon hunts and posting them on YOUTUBE. Unfortunately for Jay and his crew this demon hunt turns real.
